'Belus’ tilbakekomst (Konklusjon)' is a track from Burzum's 2010 album 'Belus,' marking the return of Varg Vikernes to the music scene after a long hiatus. This album was particularly significant as it was Vikernes’ first release since his imprisonment in the late 1990s and subsequent release in 2009. The music within 'Belus' is characterized by a return to the raw, atmospheric black metal sound that Burzum pioneered in the early 1990s, while also incorporating elements of ambient music. The song itself features repetitive guitar riffs, haunting melodies, and a lo-fi production that evokes the early black metal aesthetic, echoing the sound of earlier works like 'Filosofem' and 'Hvis lyset tar oss.'
Thematically, 'Belus’ tilbakekomst (Konklusjon)' explores concepts of resurrection and the return of the ancient god Belus, which is a reference to the mythological deity associated with creation and light. The lyrics reflect Vikernes' fascination with paganism, Norse mythology, and his own philosophical musings on existence and identity. Lines such as "Belus' return" signify not just a personal rebirth for Vikernes but also a broader revival of pagan beliefs in a modern context. The song conveys a sense of longing for a connection to the past while simultaneously asserting a new identity grounded in ancient traditions.
Upon its release, 'Belus' received a mixed to positive reception from critics and fans alike. Many praised the album for its atmospheric quality and the authenticity of its sound, seeing it as a return to form for Vikernes. However, there remained a significant amount of controversy surrounding Vikernes due to his criminal past and controversial ideologies. This duality has influenced the cultural legacy of 'Belus’ tilbakekomst (Konklusjon),' as it stands as a testament to the enduring allure of black metal while simultaneously highlighting the complexities of Vikernes' personal narrative. The song and the album as a whole have since been viewed as emblematic of the ongoing tension between art and the artist, prompting discussions about the role of personal history in music consumption and appreciation.