Released in 1979 as part of the album 'George Harrison', "It Is 'He' (Jai Sri Krishna)" stands out as a notable example of Harrison's exploration of spirituality and Indian philosophy. Following his tenure with The Beatles, during which he embraced Indian music and culture, Harrison continued to integrate these elements into his solo work. This track showcases his commitment to fusing Western rock with traditional Indian sounds, featuring a blend of instruments like the harmonium and a rhythmic backdrop that evokes the essence of Indian devotional music. The song was recorded during a period when Harrison was deeply involved in the International Society for Krishna Consciousness (ISKCON), further emphasizing the religious undertones present in his work.
Lyrically, "It Is 'He' (Jai Sri Krishna)" serves as a devotional homage to Lord Krishna, a central figure in Hinduism. The repeated chant “Jai Sri Krishna” translates to “Victory to Lord Krishna,” encapsulating the essence of bhakti (devotion) in its structure. Through lines like “He is the one”, Harrison expresses a profound reverence for the divine, reflecting his own spiritual journey and the search for higher consciousness. The song's repetitive nature mirrors the meditative practices found in Eastern traditions, inviting listeners to engage in a reflective state while contemplating the lyrics and their deeper meanings. This spiritual message is a hallmark of Harrison's work, illustrating how his personal beliefs shaped his artistic expression.
Upon its release, "It Is 'He' (Jai Sri Krishna)" received a mixed reception from critics, with some praising Harrison's continued exploration of spirituality while others viewed it as niche, catering primarily to his devoted fanbase. However, over time, the song has gained recognition for its authentic representation of Hindu devotion in a rock format. It has influenced various artists and musicians who seek to blend spiritual themes with popular music, reinforcing Harrison's legacy as a pioneer in this genre. The track is often cited in discussions about the intersection of music and spirituality, highlighting how Harrison’s work transcended mere entertainment to convey deeper philosophical messages, solidifying his role as a key figure in 20th-century music.