'What Is This Thing Called Love?' is a jazz standard composed by Cole Porter in 1929, and it was popularized by Artie Shaw and His Orchestra in the early 1930s. Shaw, known for his innovative clarinet playing and sophisticated arrangements, brought a unique flair to the piece, which was part of the big band movement that defined the era. The song was originally featured in Porter's musical 'Wake Up and Dream,' and Shaw's rendition helped cement its status as a classic in the American songbook. Released during a time when jazz was evolving and gaining mainstream popularity, Shaw's version showcased the orchestral jazz style that combined elements of swing and dance music, appealing to a wide audience.
The lyrics of 'What Is This Thing Called Love?' explore the complexities and confusions of romantic feelings, encapsulating the essence of love's paradoxical nature. Through lines like "What is this thing called love? / This funny thing called love," the song conveys a sense of bewilderment and curiosity about love's power over individuals. The recurring theme of questioning reflects the universal struggle to define and understand the emotions that come with falling in love, resonating with listeners who have experienced the highs and lows of romantic relationships. The whimsical yet poignant language in Porter's lyrics contributes to the song's timeless appeal, allowing it to transcend its original context and speak to generations of listeners.
Upon its release, 'What Is This Thing Called Love?' garnered critical acclaim and quickly became a favorite among jazz musicians and audiences alike. Artie Shaw's interpretation was praised for its smooth, sophisticated arrangement and his virtuosic clarinet solos, which added a layer of complexity to the performance. Over the years, the song has been covered by numerous artists across various genres, further solidifying its place in American music history. Its cultural legacy continues to thrive, as it remains a staple in jazz repertoires and is often revisited in contemporary music contexts, illustrating the enduring nature of Cole Porter's work and the impact of Shaw's orchestral vision.